Home Sweet Home by Katie B Temple opens Friday, June 1, at the little gallery, 5901 Maple Street in downtown Benson. The opening reception is set for 6:00 to 9:00pm in conjunction with the June edition of Benson First Friday. Below is a Q&A with the artist.
When did you know you were going to be an artist?
I became serious about being an artist my junior year of undergrad. I switched from majoring in art education to studio art. I was accepted into graduate school when I was 21 (senior year of my undergrad) and that really made everything EXTRA serious.
Describe your process.
I often scour websites to find houses that are for sale, for rent or foreclosed and then go take reference photos of them from specific perspectives. Once the reference imagery has been taken, I begin constructing and layering multiple buildings on top of each other in a single painting. I usually do not have an idea of what the painting will look like at the end, so I use my intuition as an artist to make visual decisions based on the character of the buildings being used. I am inspired by the color(s) of the house(s) that I am painting, and that helps me with color scheme decisions. The structural play of dense, transparent and opaque color blocking in the paintings present a whirlwind of visual incident.
Where do you find inspiration?
As a visual artist, I am constantly observing the world around me. In my current series of architectural paintings, I am inspired by ‘empty’ homes located in Omaha, Nebraska. ‘Empty’ makes reference to homes that are not currently occupied. They may be between renters, on the market to sell, foreclosed by the bank or just abandoned. I began this body of work when a house across the street from my studio suddenly went from occupied to foreclosed. What was once an energetic, busy home is now a boarded-up, sterile structure. It made me reflect on the 15 different buildings I have called ‘home’ throughout my life and how they each were a vessel that held me.
Name the 3 most important things in your studio space.
1. Lively music!
2. High-quality brushes!
3. Good lighting!
What do you want others to know about you/your work?
I have my Master’s of Fine Arts degree and work full time with the Kent Bellows Mentoring Program at Joslyn Art Museum as the studio coordinator. Being a part of Omaha’s nonprofit arts community is important to who I am as a creative individual. I truly enjoy creating an open space for Omaha youth to be their authentic selves and be creative in a variety of mediums.
Home Sweet Home runs through June 30 at the little gallery. Hours of operation are:
3:00 to 6:00pm
10:00am to 1:00pm
+ by appointment
The little gallery will celebrate its third anniversary Friday, June 1, with cake, a pinata full of treasures and the opening of “Home Sweet Home” by Katie B. Temple. The reception, which is free and open to the public, runs from 6:00 to 9:00pm at 5901 Maple Street in downtown Benson.
Temple, an Omaha artist and educator, is the studio coordinator for the Kent Bellows Mentoring Program at Joslyn Art Museum. “Home Sweet Home” was inspired by homes in Omaha that aren’t currently occupied.
“They may be between renters, on the market to sell, foreclosed by the bank or just abandoned,” Temple said. “I began this body of work when a home across the street from my studio suddenly went from occupied to unoccupied. What was once an energetic, busy home was now a foreclosed, boarded-up, sterile structure. It made me reflect on the 15 different structures I have called ‘home’ throughout my life and how they each were a vessel that helped me.”
Temple earned her BFA from Bowling Green State University and her MFA from Montana State University. Her work has been featured in various national exhibitions. Locally, she has been included in the top 10 list of “Best Exhibitions of 2016 in Omaha” by The Reader and was a 2017 nominee for Best Visual Emerging Artist from the Omaha Arts and Entertainment Awards (OEAA). Temple also was nominated for two 2018 OEAA awards – one for Best Visual Emerging Artist and one for Best Presentation in a Non-Traditional Format.
For more information about Temple’s work, visit www.katiebtemple.com.
The little gallery is open Tuesday through Friday from 3:00 to 6:00pm, Saturday from 10:00am to 1:00pm and by appointment. For more information, call 402.681.1901.
Purchase the trio for $400.
Debo Hysack studied music, printmaking, graphic design and political science before graduating from the University of Minnesota. As a textile and surface design artist, she has explored painting, printing, marbling and fabric manipulation for quilts and small structures. Large works depicting insect images and musical themes are in private collections in Omaha and Minnesota. As a SAQA member, Hysack has exhibited in online galleries, juried shows and regional exhibitions. She has had numerous items published in Quilting Arts and Cloth Paper Scissors magazines and has taught textile surface design and marbling online for private students and at Joslyn Museum.
Below are her thoughts on the creation of her trio of works.
Technicolor Tree Rings
Some trees take on the patina of age and art in their slices.
Commercial fabric pieced, appliqued and quilted with variegated thread.
Today’s windmills perform an air ballet as you drive through the countryside.
Hand-dyed, hand-painted fabric and cheesecloth; commercial fabric and straws; hand- and machine-stitched with variegated thread.
With Two Sticks You Get Fire
Fatwood sticks make a good fire with kindling and paper.
Commercial over-dyed fabric, painted rice cloth appliqued and quilted with variegated thread.
The little gallery will host its first ever teen art show in conjunction with the May 2018 edition of Benson First Friday.
An opening reception for “It’s Not a Phase, Mom” is set for Friday, May 4, from 6:00 to 9:00pm. The exhibition, which features works by local teens across the metro, is curated by Allison Harris, the little gallery’s intern and a senior at Central High School. “My goal was to showcase the young talent I’ve seen in Omaha from my peers,” Harris said. “The little gallery gave me the ability to show my work while I was in high school, and I wanted to give other young artists the same opportunity.”
The show runs through May 26 at the little gallery, 5901 Maple Street in downtown Benson. Hours of operation are Tuesday through Friday from 3:00 to 6:00pm, Saturday from 10:00am to 1:00pm and by appointment. For more information, call 402.681.1901.
Cindy Erickson started her career as an interior designer in Arizona and Utah, then specialized in creating applique wall hangings and clothing for boutiques. Since being introduced to the rotary cutter and half-square triangle, she’s been unstoppable. Erickson makes commission quilts and samples for various international companies and individuals. She is an NQA-certified quilt judge and teaches quilting and clothing specialty classes at Bernina Sewing Center in Omaha as well as lecturing and teaching classes around the country. She has been published in Quiltmaker, Fons and Porters magazine and leisure arts publications. Her quilts have been shown at AQS, Houston, PIQS and NQA. Below are her thoughts on the creation of “High Tide.”
“This is an interpretation of the element water. I thought of the colors of water, and the movement and flow of our most precious element. This piece uses had dyed and commercial fabrics.”
LaVonne Dunetts has been creating with fiber in many forms for much of her life. Most of her quilting works are original designs using fabrics she has hand-dyed, overdyed or painted. Dunetts has won numerous awards for her art, quilting and sewing – both locally and statewide. Her background in engineering and construction help her visualize how materials can be arranged in complex variations. Her goal is to create harmony and beauty from disorder and chaos. Below are her thoughts on the creation of “Earth, Air, Fire, Water.”
“Earth, air, fire and water: identified by the ancient Greeks as the elements that make up the world. We now know them as solids, liquids, gases and energy: separate but interconnected to form our universe. I have depicted each separate element with my work but have used the copper discs to show interconnectivity. Cupric ores are dug from the earth, smelted and annealed with fire, quenched in water and oxidized in air. I have used my hand-dyed and commercial fabrics, beads and yarn.”
Jo Drueke has been working with fabric for almost all her life. Currently, her work reflects the love she has for the varied land and habitats found in Nebraska as well as the garden she maintains. She has shown her fiber art work in Lincoln, Omaha, Seward, Grand Island and Scottsbluff as a member of the Midwest Fiber Art Alliance, Studio Art Quilters Associates and FiberWorks. Below are her thoughts on the creation of Earth’s Strata.
“An eco-dyeing process utilized Earth’s plants and minerals to create unique textiles. Fabric is joined together to represent the soil and depth of the earth’s layers. Strata, the earth rock layers, are indicated by the quilting lines.”
Gail Dickel’s background is in art education. Her early work with paint focused on an abstract color field style, but she has also done representational work as well as ceramics, collage, photography and fiber arts. Gail joined the Midwest Fiber Art Alliance in 2011 and has exhibited art quilts at Lauritzen Gardens, Jewish Community Center, Sunderland Gallery and Hilmer Gallery in Omaha, International Quilt Study Center in Lincoln and Bartenbach Gallery in Grand Island. Gail has also exhibited her photographs, collage and watercolor work, and fiber art pieces in the annual Nebraska Art Teachers Association Art exhibits (2005-2012). Below are her thoughts on the creation of Avalanche Creek, Glacier National Park.
“I feel a deep connection to the natural world around me. I began this piece after a trip to Glacier National Park, where I hiked the Avalanche Lake Trail. This trail went alongside Avalanche Creek. The creek roared past us, moving quickly between the large rocks. The sunlight streamed through the tall pines, allowing the water to glisten in its brilliant blue hues.”