In its biggest event ever, tiny art show invited 50 cities across the nation to create tiny art and reveal it on the same day, and Omaha was one of the selected cities.
The event, originally scheduled for this spring, was postponed due to COVID-19. The Omaha event is no longer on the same day as all the other cities, but that’s okay.
Join Women Who Run Nebraska at the little gallery Friday, Aug. 7, from 5:00 to 7:00pm as this awesome nonprofit unveils miniature art made by some of Omaha’s amazing female artists. WWRN will also host a merch pop-up of all its fan-favorite tees, totes, tank tops and more! The artwork is for sale, and all proceeds will benefit WWRN.
Participating artists to date:
Megan O’Dea Jenkins
Joan Wilson Sangimino
BTW, this fall is election season, so get ready to vote.
BENSON – BFF Omaha and Lutheran Family Services will present the New American Arts Festival Friday, Aug. 7, in beautiful downtown Benson. In conjunction with the festival, the little gallery will host the work of Oria Simonini and student work facilitated by Mike Giron.
Oria Simonini Simonini creates small-scale paintings and drawings that depict migrants and refugees. Her work focuses on the human experience of immigration – a highly politicized and polarizing topic. Simonini works from web and news-sourced imagery, sometimes cropping or combining images. “It’s important for me to be true to the sources, that it was a real moment in someone’s life,” she said.
In her work from the series Water’s Edge, the ocean side serves as a stage where two sides of society meet. The beach can be either the end or the beginning of the migrant journey. But the beach also evokes pleasure; a day of leisure spent at the beach, the escape of a vacation. “My focus here is to question who gets to take pleasure on the beach and who doesn’t,” Simonini said. “Instead of highlighting the differences between these groups of people, I use formal qualities to blend them together and to create a false sense of harmony.”
Student Work Millard South High students from east Africa, Mexico, the Middle East and Viet Nam were asked to reflect on the homes they left behind and the difficulties they face as teenage immigrants. With the help of Omaha artist Mike Giron, their individual thoughts were summed up into paper-cut shapes and designs, which were then arranged into two compositional stencils as a layered screenprint.
Two of the three originally planned layers were produced. The third, contemplating their hopes for the future, was derailed by the COVID-19 pandemic. By switching combinations of paper and ink colors and transparency levels of ink, at least this part of their collective story is told. Some students miss family and friends, familiar foods and music and customs, the ubiquity of their language, their country, their childhood homes, even profoundly elegant objects such as a personal chair. Most seem to have heartbreak in common when thinking of home. In the mean time, they struggle with being English language learners, schooling, cultural misunderstandings, the American diet and distressing news from home.
“This project follows the structure of screenprinting workshops I do with various groups in which we all contribute to one design, print in workshops and everyone takes home a print,” Giron said. “Unfortunately, the closure of schools did not allow us to take all those steps together. I was able to reassemble and reproduce our compositions and print the suite of prints in this exhibition. Each is technically a monotype, since no color combinations are identical. The shifting color schemes indicate how experiences are both shared and individual.”
This NAAF exhibition runs through Aug. 29.
The little gallery, located at 5901 Maple Street in downtown Benson, is powered by Polecat Communications – we turned 5 in June! Our new hours are Thursday and Friday from 1:00 to 5:00pm, Saturday from 10:00am to 1:00pm and by appointment (402.681.1901). You can always text the appointment number to make sure we’re in before you head our way. Don’t let local art galleries be a victim of COVID-19: support them and the artists who create work for them.
The little gallery will host “Silent Spring” – new work by Joe Addison, Alex Jochim, Caitlin Little and Trudy Swanson – during the month of July. The opening reception is Friday, July 3, from 6:00 to 9:00pm in conjunction with Benson First Friday. The group exhibition features work created during the COVID-19 pandemic.
Speaking of the pandemic… It’s a brave new world, so there are new rules for this opening reception, our first since the COVID-19 pandemic hit Nebraska:
– There is a limit on the number of people who can enter the gallery at a time. Please pay attention to what’s happening at the door, and act accordingly. – Face masks are required to gain admission. – We won’t be serving any food or drink. – We also reserve the right to cancel the whole shebang at the last minute in response to what’s happening with COVID-19 locally. – No public restroom, so go before you come.
“Silent Spring” runs through July 31 at the little gallery | benson, 5901 Maple Street. We’ve also got new hours* going forward:
Thursday and Friday 1 to 5pm
Saturday 10am to 1pm
+ by appointment (call 402.681.1901) *You can always text the appointment number to make sure we’re there before you head our way.
Don’t let local art galleries be a victim of COVID-19: support them and the artists who create work for them.
BENSON – the little gallery is pleased to host “Brace Yourself: Tenacious Karma” by John Stillmunks during the month of March. The opening reception is Friday, March 6, from 6:00 to 9:00pm at 5901 Maple Street in conjunction with Benson First Friday.
Born and raised in North Omaha, Stillmunks studied at the University of Nebraska-Lincoln and Metropolitan State University in Denver before graduating from Iowa State University with a BFA in painting. After college, he and his wife opened the Independent Thought Gallery and Studio in Des Moines, where he shared his work and promoted local artists for 15 years. His art has been featured in shows across the country, from Phoenix to Miami.
Stillmunks recently returned to Omaha and established his studio at Bench. He describes the show as “”17 new paintings examining life’s influences, variables, options, and choices – which often lead to resulting events arriving just as God begins to laugh heartily.”
Below is the artist in his own words.
“My work always has a nod to schadenfreude – also I have been gravitating back to my roots in blue collar North Omaha in terms of color, texture, grit, humor, tenacity, variation, improvisation, perspective and resilience gained from growing up there. Ironically, I have spent my whole life trying to get away from what I am now embracing in middle age.
“I use multiple perspectives and patterned movement to convey energy and emotion. Colors and patterns come directly from Midwestern African American folk art. Textures and imagery are without a doubt influenced by urban Midwestern architecture, graffiti, Catholic church symbolism and graphics and the “edge” acquired from urban environments in the upper Midwest such as Omaha, Minneapolis, KC, and Chicago.”
the little gallery is powered by Polecat Communications in downtown Benson. Winter hours are Tuesday through Friday from 3 to 5pm, Saturday from 10am to 1pm and by appointment. For more information, call 402.681.1901 or email email@example.com.
BENSON – the little gallery is pleased to host “Hatch” – a meditation on line, surface, movement and scale – by Pecha during the month of February. The opening reception is Friday, Feb. 7, from 6:00 to 9:00pm in conjunction with Benson First Friday. All are welcome to attend.
About the Artist Pecha (pek’-ah) is a creator working in the Benson neighborhood of Omaha, NE. He uses positive and negative space to invoke a sense of depth, while using line to deny the space and create movement across the surface of the work. The resulting dynamic tension draws the viewer in and simultaneously keeps them at bay.
A graffiti artist in his formative years, he was inspired by Keith Haring, Egon Schiele, and Willem de Kooning, who relied on their use of line to convey emotion.
Drawing upon extensive travel throughout Morocco and Spain and guided by the Moorish art and architecture he experienced, his latest creations move past the figurative work of his past and into a more calligraphic and meditative mode. His construction background has begun influencing technique and material choices – drawing with welding wire and plasma cutters as well as using common and discarded building materials to create his art.
While given the name Patrick Jensen at birth, he creates work under his mother’s maiden name in homage to his Bohemian heritage and the grandparents who helped raise him.
Artist Statement “With this latest body of work, I am working out some thoughts and ideas that I have been kicking around over the past few years. One of them is the incorporation of discarded and common construction materials I come across in my construction career. The other is to engage with an ancient mark common in art, engineering and architecture – the hatch and crosshatch.
“I have found the act of hatching allows me to move deeper into the individual marks I make as an act of meditation. Instead of a word or sound, the repetition of the line acts as my mantra; deepening my concentration. I focus on making every line with intention. Whether it is with an eraser, plasma cutter or marker, the process of drawing each line is an individual act. No attachment. Embracing imperfection. Letting go of desire again and again. The marks all culminate in a surface that begins to undulate, move and work as one.” – Pecha
“Hatch” is open through Feb. 29. Winter gallery hours are Thursday and Friday from 3:00 to 5:00pm, Saturday from 10:00am to 1:00pm and by appointment. For more information or to schedule a viewing outside regular hours, call 402.681.1901.